Morgan Horses of the Wild West

MORGANS IN THE WEST

As emigrants trekked westward in the 19th century, the frontier advanced with them. Vermonters initially emigrated to northern New York, thence to Ohio. by the 1850’s, they could be found in Michigan, Illinois, and Wisconsin in large numbers. In the U.S. Census of 1850 Vermont had the highest number of its native- born population living outside their native state (41%)

To provide transport for their wagons and goods, Vermonters took their Morgan horses with them. Ohio agricultural journals mention Morgan horses frequently in the 1850’s. Two Morgan stallions, Black Hawk and Hale’s Green Mountain 42, were shown at Midwestern state fairs in the early 1850’s. Both attracted much attention and were widely admired.

In what was then the west (but is now the Midwest), Morgans were used to pull stagecoaches, for light farm work, and as buggy horses. The high demand for them created high prices. Some Vermonters became concerned about the possible depletion of their breeding stock. One writer warned Vermont farmers not to be tempted to sell all their best stock as they needed to retain some to be able to continue to supply the market. The high prices were difficult for many Vermonters to resist as their children needed tuition for school or mortgages needed to be paid.

In the 1850’s Morgans could be found throughout Ohio and Michigan and as far west as Wisconsin. They were so popular that many less-than-honest folks were claiming Morgan ancestors for horses that had no Morgan blood in their ancestry. Complaints appeared in the press about the problem to no avail.

At the start of the Civil War the Second and Third Michigan Cavalry were mounted on Morgan horses. Union General Philip Sheridan’s famous mount Winchester (a.k.a. Rienzi) was presented to him by Captain Archie Campbell of the Second Michigan Cavalry.

As the Western Frontier continued to expand, the Morgan horse influence continued to spread also. As ranches were established, they proved to be reliable and enduring mounts. Richard Sellman of Texas established his ranch at this time. by the early 20th century he had the largest herd of Morgans in America. He registered over 300 mares and a few stallions, but most of the colts were simply gelded and used as ranch horses.

During the Gold Rush days of 1848 a herd of 125 Morgans was taken west to California. Most survived the trip and were sold for high prices upon arrival. Other Morgans arrived in California as well with the stallions often commanding high stud fees. St. Clair sired over 600 offspring while standing at stud in Sacramento in the mid-19th century.

In the 1880’s Morgan horses were used as part of a government program to educate Native Americans about modern agricultural practices. The program was short lived. Morgans were again used about 1920 to 1940 to upgrade Native American horse herds and provide their schools with experienced breeding purebred horses.

Morgan stallions were used in the Remount program of the army to produce quality cavalry horses. Remount stallion services were available to farmers and ranchers for a nominal fee. The $25.00 fee was waived if the breeders contracted with the government to have the offspring available for consideration as a cavalry mount. A colt resulting from the breeding was inspected at three years old for soundness and conformation. If the young horse was accepted by the army, the breeder received $150.00 for the purchase price. If the breeder chose to retain the fillies, the fee was again waived. Other conditions under which the fee was waived included foals that were injured or born with deformities.

Morgan were used in the U.S. Part Service by park rangers as mounts and for packing. One horse, Red Cloud, was said to have averaged 800 miles a year according to former ranger T.W.Daniels. One year he went 1,200 miles and on some fire calls he went 55 miles without a stop, often after dark. Daniels stated that “The horse never missed putting his feet in the trail and a bad windfalls he knew the detour without a misstep, although it was pitch dark to me….At the end of these trips he never showed any leg weariness.”

MORGANS AS STATE HORSES

“[I have lived in Chicago since 1839] during which time I have been largely engaged in the business of staging — which business affords constant employment for about fifteen hundred horses — and have thus had opportunity for observing and testing the capacity and endurance of horses. I have no hesitation in saying, I consider Morgan horses far superior to any other breed or blood I have ever known for the road or farm.”

“In fact, I would prefer them over all others for any kind of service … They are invariably good feeders, are easily kept, and will not only perform and endure more service in a year, but more years of service, than any other breed of horses I have ever known … a Morgan horse, from New England, will outlast two horses raised in the West.”

-M.O. Walker, Chicago, letter dated April 14, 1856

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Brunk Morgan Horses

THE BRUNK MORGANS

BORN December 22, 1804 in Miami County, Ohio, George Brunk is recognized as the first person to bring Morgans into Illinois, and the first in his family to raise the breed. He walked to Illinois in the summer of 1821 with two neighbor boys about his age (17). They entered Illinois by way of Fort Dearborn (Chicago) and followed the Illinois River to Sangamon County, the same year that Sangamon County came into legal existance.

The Indian danger in central Illinois had been resolved by two treaties—at Edwardsville in 1818 and Forst Harrison in 1819—that paid off the Kickapoo and started them toward the other side of the Mississippi River. The treaties gave the Indians local hunting rights for several years. George Brunk, according to an account he wrote for “Personal Recollections of Old Settlers” in 1859, hunted with two of the Kickapoo chiefs, Bassena and Joe Muney.

George entered 80 acres of land in Cotton Hill Township, about 12 miles southeast of Springfield and slightly over 2 miles southwest of Rochester—making him one of the first settlers in Sangamon County. (The first white settler, Robert Pulliam, arrived in Sangamon County in the fall of 1817, four years earlier. He settled a few miles west of Cotton Hill near the present day of Glenarm.) Brunk eventually entered more land, buying a total of 696 acres from the federal government for $1.25 an acre. The deed bore the signature of Martin Van Buren, a first cousin of George Brunk.

Brunk built a log cabin and in 1824 returned to Ohio to get his mother, brother, sisters and step–father (Thomas Royal). They came to Illinois in a covered wagon with two Morgan horses, the first of the Brunk Morgans. The one called “Old Mousey” later gave the children of George Brunk many happy hours on her back, and thus began a love affair with the Morgan breed that has lasted until the present.

In his personal recollections, George Brunk relates that in 1826, he and a friend went to work in the lead mines for $4.00 a day on Fever River near Galena. While there, he participated in a scrimage with the Winnebago Indians. He returned to Sangamon County in the fall of 1828.

Brunk married Mary Boyd, the first of his three wives, and in 1829 completed one of the first stone houses with the limestone quarried near Horse Creek just one mile from his house. The limestone used for the construction of the State Capital in Springfield in the 1830’s was quarried from the same location. Stonemasons from St. Louis built the house, working only during the summer months, on his Cotton Hill Farm. The farm is still owned by the Brunk family. The farm was named Cotton Hill after settlers from Kentucky brought cotton seed with them and planted it on an adjoining hill.

The most famouse visitor to the old Brunk house was President Martin Van Buren during his visit to Springfield in June, 1842. Van Buren came to Springfield because he recognized it as a strategic political and geographical point in the country and hoped it would help his political comeback. It was said that feeling the sophisticated Van Buren might have found Brunk’s accomodations rather crude, the Springfield delegation attempted to suitably entertain him.

Another interesting aspect concerning the early years at Brunk’s Cotton Hill Farm was the arrival of Vachel Lindsay, the great Illinois poet. Mr. Lindsay’s father operated his office for “humans and animals” for approximately eight years in quarters attached to the house.

Lindsay came to Cotton Hill in 1867 at the age of 23. He had been studying medicine on his own in his native Kentucky and had spent 1 year at Miami Medical College at Cincinnati, Ohio. He stayed for 2 years at Cotton Hill and then returned to Miami Medical College from which he graduated in 1869. Then he resumed his practice at Cotton Hill.

A more serious association between the Brunks and Morgan Horses began in 1893, when Joseph Chase Brunk (George’s son) heard of a dispersal sale of Morgans at Two Rivers Stock Farm in Nashville, Tennessee. Joseph’s middle name was in honor of Salmon P. Chase, Lincoln’s Treasury Secretary, who was a boyhood chum of George Brunk. Joseph C. Brunk, J. C. as he was known, purchased the entire lot of Morgans from the Two Rivers Stock Farm with a thousand dollar loan, and these were the foundation of the present Brunk Morgans. There were eight mares and two stallions. The two stalliions Brunk purchased were Chilco 4513, a son of Ben Franklin and Morgan Rupert 3987. Chetco was a direct descendant of one of Justin Morgan’s most outstanding grandsons, Blackhawk. This foundation stock was exceedingly long lived. One of the mares, Lucy, lived to be 42 years old. When she died, J. C. Brunk fastened her bones together and they stood in the barn for several years.

So the business of raising Morgans began. The Brunks raised their own horses, the only purchase being an occasional stud. Among these stallions were listed some of the greats of the Morgan breed. Jubilee DeJarnette was purchased, a son of Jubilee Lambert by Daniel Lambert out of a great show mare Lady DeJarnette by Indian Chief by Blood’s Black Hawk.

Close to 60 foals were dropped at Cotton Hill Farm in a two year period by Jubilee DeJarnette, including Daisy DeJarnette who lived to be 34. Most Brunk mares trace to this dark bay mare, foaled in 1903.

Jubilee DeJarnette was sold to a breeder in the Western United States. A colt of his last years, Troubadour, was to leave a lasting impression on the breed when his son, Troubladour of Willowmoor, was purchased for use at the U.S. Government Farm at Middlebury, Vermont, thus returning to New England the blood of the great “lady” and her sire, Indian Chief.

Always looking for ways to improve his stock, J. C. Brunk in 1906 and 1910 sent a box car load of mares to Charles Reade 3953 standing at Columbia, Missouri. This beautiful bred Morgan stallion was very popular with trotting and saddle horse breeders. He was registered in the Standard Bred Registry on his redord of 2:14 1/14, and was honored after his death with a number in the American Saddler Bred Stud Book. This fine Ethan Allen grandson had wonderful speed and action. Me. Brunk again returned some of the breed’s finest blood to the Morgan registries when he alone took advantage of Charles Reade to produce Morgans.

This cross of Jubilee De Jarnette daughters to Charles Reade gave the Brunks the best horses up to that time. Stawn Reade, Gov. Reade, Major Reade, Mrs. Lewis, Ruby Reade, and Daisy Reade were notable results of this cross.

Joseph Brunk first saw Knox Morgan at the World’s Fair in St. Louis in 1904. Frank Chandler of Montpelier, Vermont, exhibited his famous horse over a large field. Mr. Brunk exhibited the Champion mare, Senata 02303. Brunk and Chandler became friends and years later, when Chandler decided to sell his Morgans, he would let Knox Morgan go only to Mr. Brunk. Knox was 24. He was kept at Cotton Hill Farm until his death at the age of 28. He sired 30 colts for Mr. Brunk.

J. C.’s son Roy Brunk started showing Morgans at the age of 11 at the 1904 St. Louis World’s Fair. He said that his biggest thrill came as he led the Sweepstakes Champion mare back to her stall. Senata by Senator by Morgan Rubert, out of Daisy by Billy Bodette, possessed a great number of crosses to Justin Morgan.

Over the years, the Brunks liked to keep a stallion with crosses to Senata since her prolific line reads like a Morgan who’s–who. Senata is considered by a large number of people to be the finest example of a Morgan mare in her era. A show mare considered tops by all the best judges of her day, she was a solid, typey mare with a sweet disposition. Her name appears now on the pedigrees of more Morgans across this country than any other mare in the breed’s history. To compile a list of the prolific family she founded would take pages.

Although the Brunk Morgan knowledge is outstanding, Brunk luck has played a part, too. One time “J. C.” traded a short–horned cow to a man in Iowa for a Morgan colt sight unseen. The colt was Go–Hawk, later one of the leading sires at Cotton Hill, the sire of Flyhawk.

Roy Brunk recalled seeing as many as 25 head of Morgans working the 800 acres at Cotton Hill Farm. J. C. Brunk sold many Morgans, 25–50 a year, as yearlings and 2–year olds, mostly as gelded calts. The farm listed 150 head of Morgans in 1911. The same Morgans that worked the fields were shown from coast to coast and won most all major awards at one time or another, a feat of which the Brunk Morgans are still capable at the present time.

J. C. Brunk, in almost every instance, stayed with his established line of breeding. One exception was the above mentioned Go–Hawk. The other was Tiffany by Mansfield, a colt purchased from the Government. A number of good Brunk Morgans have descended from this chestnut horse. The bay horse Tarron, from Africal Maid, was one of the sons of Tiffany to leave his mark, as the sire of Roy Brunk’s many times grand champion stallion Congo.

When Joseph Brunk died in 1935, his horses and lands were divided among his three sons and two daughters.

J. C.’s son Roy continued to raise Morgans at Cotton Hill Farm until his death in 1983. His daughter, Clara Mayes, and grandaughters now carry on the family tradition at Cotton Hill. Joseph’s daughter, Helen Greenwalt, produced a large number of fine, showy Morgans at her Highview Farm in nearby Pawnee, Illinois, just south of Cotton Hill Farm. Another son, Thomas Talbott, raised his Morgans on the part of the Brunk lands that Jubilee King, Senata’s most famous son, was foaled on. Today, his wife Edna continues to raise Morgans on the farm that Joseph Brunk’s wife, Minnie, brought as her dowry.

The bloodline of the Morgans owned by various family members ae all so similar that they can hardly be used for each other’s stallions. To get around this, Brunk mares are sometimes bred to outside stallions and the colts used as sires.

It is impossible to say how many Morgans have sprung from the Brunk blood. It is possible to say, however, that no other family has come anywhere near having the impact upon the breed as has this remarkable family. It is difficult for the Brunks to find an outside stallion that does not trace on at least one side to the blood of Cotton Hill Farm. Brunk horses have been sold from coast to coast, to South America, to the Bahamas, Canada, Cuba, China and Europe. To the present day, a large percentage of Grand National Champions have Brunk breeding in their pedigrees.

A line of Morgans nearly one hundred years old has evolved from 8 to 10 Vermont bred mares and two of the breed’s good stallions, Chetco and Morgan Rupert. Jubilee De Jarnette, the stylish Charles Reade, grand old Knox Morgan, beautiful little Senata, and others such as Jubilee King, Go–Hawk, Tiffany and Congo are all woven into the tapestry of the Brunk family until this day, and into the tapestry of the Morgan registry forever.

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Lippitt Morgan Horses

Lippitt Morgan Horses

What is it that sets the Lippitt apart from all other Morgan horses? Is it his physical attributes, his pedigree, presence…that special aura that seems to exude from his very being? The answer is all of these and more! A thorough understanding of the archetype Lippitt is certainly a must if one is intending to breed this unique Morgan. Justin Morgan stood around 14 hands and weighed in at around 950 pounds. His mane and tail were coarse and heavy, the hair straight. He was a very compact, heavily muscled stallion that had great substance with the added refinement to complete the picture. When one looked at him he exhibited a sense of strength, agility, beauty and grace. His attitude was cheerful and he had an abundance of great controllable energy.The head is lean, with the face being straight or slightly dished below the eyes. His forehead is broad, with generous width at the poll and between the eyes. There is distance as well from ear to eye and shortness from the eye to his large, dilated nostrils. The muzzle is small with the lips being close, fine, and firm. Large, dark, luminous eyes are prominent and are set well out on the sides of the head. The ears should be short (shorter than most other equine breeds), and set wide apart from each other. They are erect….even hooked. The stallion has a heavily rounded crest and the length of the neck is medium. The mare’s neck is fine, her crest being knife-like. The bottom line of the neck is straight and deep from the top to the bottom at the shoulders. The throatlatch may be deeper from the poll to the jowl and clean cut. The crest and withers must blend together without any indentation or depression in front of the withers. If you begin at the poll, the crest rises close to the ears forming a curve which is smooth and ends where the withers join the back. Most importantly, the neck is set on top of, rather than in front of, the shoulders. The most notable points on the whole horse are the back and legs . The back being very short with the shoulder blades and hip bones being long and oblique, the loins broad and muscular.

He was small…compact, with a body that was long, round, close ribbed with a chest that was deep and wide. How can he be long bodied without having a long back one would ask? The answer is simple in that he has extreme shoulder angulation giving him a longer bottom line than most other equine breeds. The breast-bone is noted as projecting out in front. His whole structure gave the impression of great substance, beauty and grace. The hindquarters are round and they have balance with respect to the front quarters. His croup is long, wide and slightly sloping, heavily muscled and well rounded. The tail is set high and carried well up and straight. The feet of the Lippitt are small, well shaped and should be free from blemish. The legs consist of short cannon bones, are close jointed, bones are thin, but very wide (bone density) with muscles that are considered large for his size. The pastern, fetlock, and foot should be similar to the front with the rear pasterns being more upright. As A. Fullerton Phillips stated in his book, “Type once lost can never be recovered. A horse may be beautiful and still not have the least resemblance to the Morgan family or a Morgan may not be beautiful or perfect but his blood may be so strong that he will be a very prepotent individual.” So, what of Lippitt movement or his “way of going?” Here is a description from D.C. Linsley’s book Morgan Horses: “He was a very fast walker. In trotting his gait was low and smooth, and his step short and nervous; he was not what in these days would be called fast, and we think it doubtful whether he could trot a mile much if any within four minutes, though it is claimed by many that he could trot it in three.” And another of his famous quotes: “Although he raised his feet but little, he never stumbled. His proud, bold and fearless style of movement, and his vigorous, untiring action, have, perhaps, never been surpassed.” Apparently, he has a “way of going” characteristic only onto himself. So where is this peculiar movement coming from and how is it being expressed? It is the flexion at the pastern. The walk is bold, short, fast, and elastic as is the trot. In the trot, the movement is low, ground covering, fast and smooth…nervous. Moreover the movement can be likened to the energy contained within a pressure cooker….it exudes strength, power and agility. The canter movement is powerful and elastic and comes from the hindquarters. All gaits are performed square and even and very often shoes are not needed. Such movements made in any gait has often been described as “trappy.” Trappy refers to the distinctive way in which the Lippitt Morgan moves. It is not the shoulder movement in as much as the rapid and elastic snapping of his knees and hocks. When the feet touch the ground they land flat, neither toe nor heel touch first and the feet do not linger. The terms ‘nervous and vigorous’ are often used to describe the movements made. Here, they are indicative of his rapid, quick, but very determined way of going. All the aforementioned characteristics are essential in both stallion and mare when the decision is made to begin a breeding program of the archetype Lippitt Morgan. It is not wise to confuse “type” and “quality:” to do so is a grave mistake. Quality can exist in any animal, whereas, type or breed identity, belongs specifically to the archetype Lippitt. Lippitt breeders should be interested in acquiring only near perfect Lippitt stallions and mares as their foundation stock. There should be a great interest in both the proliferation as well as the preservation of the Lippitt. Strive to put better than what you have on the ground. Technically, a Lippitt breeder with a “good eye” can pick out a Lippitt at great distances all because of the distinguishing characteristics exhibited by the Lippitt. He can also pick out quality along with breed identity. Take a look at your In-Hand classes. Good breeders look at what’s behind the horse as well as what’s in front of him. Does this Lippitt have what it takes to contribute in a positive manner to the gene pool? Does the stallion or mare have all the necessary characteristics mentioned at the beginning of this article? Do the grandparents? Does the mare or stallion have the ability to produce themselves or better? A judge, on the other hand, may look for conformation before breed identity of the Lippitt. This is just one of the injustices done to the Lippitt. Not all blue ribbon winners are exemplary Lippitts. When you look at a Lippitt you must look with “soft eyes,” looking beyond the apparent physical characteristics of say a producing mare who has foaled year after year, or an aged stallion with a dip in his back. Take into consideration that a colt or filly can change for the good or bad in time. Some mature faster than others and then again some fall apart. Lippitts have a standard all onto themselves. They also have certain peculiarities with the addition of quality. All in all, choose your foundation stock wisely and carefully and never make money the major issue.

Deborah Siegrist
Bibliography
1. Linsley, D. C., Morgan Horses,
VT:Sharp Offset Printing, Reprint 1997.
2. Parks, Clarence D., V.M.D., The
History, Standard of perfection, &
Judging Outlines for the Morgan Horse,
USA: Approved and Adopted by the Mid-
West Morgan Horse Owners, Inc., Dec.
1961.
3. Phillips, A. Fullerton, The Morgan
Horse As A Found Him, VT: The National
Museum of the Morgan Horse, 2003.

 

This information was kindly submitted by
Deborah Siegrist, Peppercorn Morgans –

www.peppercornmorgans.com

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